I keep hanging in there. The layout will arise, some day. I have to do something with all that stuff...
Agreed about Phil's troubles with his publishers. He was voted "Most Difficult Author in the Game Industry" by GAMA; Mike Stackpole ran the 'awards' ceremony, and I got to get up and give the acceptance speech. I still have the 'Ralphie' in the basement; they'd managed to get a heap of the Ralph Cramden figures from the TSR "Honeymooners" board game, and Stackpole used those as the 'trophy'.
Phil's basic problem with 'external' publishers was that they ran their businesses as businesses, and were in business to make money. Phil had lived and worked in academia for almost all his working life, and tended to think of 'publishers' as being like the in-house press shop that most universities had. Phil had a very 'academic' approach to publishing, which - I suspect - is why most of his Tekumel publications have such a 'textbook feel' to them. He kind of got away from that with his novels, as he wrote with a very 1940s - 1950s voice in them; they do read like a lot of the texts that are from that same period in F/SF history. Phil had kind of the same issues with us 'internal' publishers; he had his ideas, and we tended to treat the thing as being a business that had to pay for itself. It never did, of course; it took about
thirty years to sell off all 250 copies of "Deeds of the Ever Glorious".
Personally, I think Phil would have been delighted to have the modern version of the Internet to work with; he could have done anything he'd wanted to, put it up on his own website, and sold the PDFs or files with little or no overhead. Back in our day, the economic and production hurdles to get anything published - let alone marketed! - were why there never were any really economically viable Tekumel products. Aside from EPT itself, of course, but that was - by Brian Blume's own statement - the right product in the right place at the right time. The only other product that sold well (for the game industry, of course) was "Ebon Bindings", with about 1,000 of the four editions being sold over the decades.
Miniatures were a very different story, but that was because of the very intense marketing effort and the very low barriers to having product. Back in the day, Phil had a very hard time getting his head around the notion that the lead was what was supporting his books, not the other way around.
These days, it's a very different story; I've watched all too many Kickstarters founder over the high costs of miniatures production. It's a very different market, and a very different hobby these days.
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