Neither, I think; it seems to be all about being willing to share the stage.
My original deal, as contracted archivist, was that we would make a digital back-up copy of all of Phil's files as a safety precaution against loss or accident. My 'fee' was that I got a copy of all the files, with the understanding that I do not have publication rights - which I don't want - and that I have the files to merge with mine for research purposes. I supposedly have the most complete set of Tekumel files on the planet, after I merged my collection with Phil's. At one point, I had actually co-located a lot of my collection with Phil's, as I thought that there would be a lot of depth to the collections that way, but that ended in October of 2012. When my contract ended in November, 2012, they made no effort to contact me re the files; when I specifically offered the files to them in 2015, I got a polite 'don't call us, we'll call you' sort of blow-off. Since then, mutual friends have been told that "I am impossible to work with" and not welcome in the Tekumel community. At one point (in 2014), the story was being told that I had destroyed the Temple of Vimuhla model, and that the Foundation could not publish anything because my daughter had destroyed Phil's data files.
I think the relationship soured when I refused to lie for them, and wound not manufacture the data to support their idea that Gary and Dave stole the idea for RPGs from Phil. It's nonsense, but they seem to want to float the notion in order to sell a book on the history or RPGs or something.
There also seems to be a very real fear that making Phil's files available for study will mean that people might see information from him about his world that might contradict when these same people have been saying is Phil's Tekumel since the 1990s. I'm surprised by that; me, I say let people have the data and make up their own minds. My definition of 'canon' - a word that I hate - is anything Phil wrote or said, coupled with what he did in his campaigns. I think that's a pretty broad canvas for people to play in and and with. Add in the current racial, sexual, and political biases being pushed on people, and you get a very murky situation.
So, everything is in the proverbial deep-freeze, and I continue to potter along with my studies. Rather like a monk in his cloister, up on one of those peaks at Mount Athos...
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