Chapter 5





The medical team Molly employed occupied two floors of an anonymous condo-rack near the old hub of Baltimore. The building was modular, like some giant version of Cheap Hotel, each coffin forty meters long. Case met Molly as she emerged from one that wore the elaborately worked logo of one GERALD CHIN, DENTIST. She was limping.

"He says if I kick anything, it'll fall off."

"I ran into one of your pals," he said, "a Modern."

"Yeah? Which one?"

"Lupus Yonderboy. Had a message." He passed her a paper napkin with W I N T E R M U T E printed in red feltpen in his neat, laborious capitals. "He said ƒ~" But her hand came up in the jive for silence.

"Get us some crab," she said.



After lunch in Baltimore, Molly dissecting her crab with alarming ease, they tubed in to New York. Case had learned not to ask questions; they only brought the sign for silence. Her leg seemed to be bothering her, and she seldom spoke.

A thin black child with wooden beads and antique resistors woven tightly into her hair opened the Finn's door and led them along the tunnel of refuse. Case felt the stuff had grown somehow during their absence. Or else it seemed that it was changing subtly, cooking itself down under the pressure of time, silent invisible flakes settling to form a mulch, a crystalline essence of discarded technology, flowering secretly in the Sprawl's waste places.



Beyond the army blanket, the Finn waited at the white table.

Molly began to sign rapidly, produced a scrap of paper, wrote something on it, and passed it to the Finn. He took it between thumb and forefinger, holding it away from his body as though it might explode. He made a sign Case didn't know, one that conveyed a mixture of impatience and glum resignation. He stood up, brushing crumbs from the front of his battered tweed jacket. A glass jar of pickled herring stood on the table beside a torn plastic package of flatbread and a tin ashtray piled with the butts of Partagas.

"Wait," the Finn said, and left the room.

Molly took his place, extruded the blade from her index finger, and speared a grayish slab of herring. Case wandered aimlessly around the room, fingering the scanning gear on the pylons as he passed.

Ten minutes and the Finn came bustling back, showing his teeth in a wide yellow smile. He nodded, gave Molly a thumbs-up salute, and gestured to Case to help him with the door panel. While Case smoothed the velcro border into place, the Finn took a flat little console from his pocket and punched out an elaborate sequence.

"Honey," he said to Molly, tucking the console away, "you have got it. No shit, I can smell it. You wanna tell me where you got it?"

"Yonderboy," Molly said, shoving the herring and crackers aside. "I did a deal with Larry, on the side."

"Smart," the Finn said. "It's an AI."

"Slow it down a little," Case said.

"Berne," the Finn said, ignoring him. "Berne. It's got limited Swiss citizenship under their equivalent of the Act of '53. Built for Tessier-Ashpool S.A. They own the mainframe and the original software."

"What's in Berne, okay?" Case deliberately stepped between them.

"Wintermute is the recognition code for an AI. I've got the Turing Registry numbers. Artificial intelligence."

"That's all just fine," Molly said, "but where's it get us?"

"If Yonderboy's right," the Finn said, "this AI is backing Armitage."

"I paid Larry to have the Moderns nose around Armitage a little," Molly explained, turning to Case. "They have some very weird lines of communication. Deal was, they'd get my money if they answered one question: who's running Armitage?"

"And you think it's this AI? Those things aren't allowed any autonomy. It'll be the parent corporation, this Tessle. . ."

"Tessier-Ashpool S.A.," said the Finn. "And I got a little story for you about them. Wanna hear?" He sat down and hunched forward.

"Finn," Molly said. "He loves a story."

"Haven't ever told anybody this one," the Finn began.



The Finn was a fence, a trafficker in stolen goods, primarily in software. In the course of his business, he sometimes came into contact with other fences, some of whom dealt in the more traditional articles of the trade. In precious metals, stamps, rare coins, gems, jewelry, furs, and paintings and other works of art. The story he told Case and Molly began with another man's story, a man he called Smith.

Smith was also a fence, but in balmier seasons he surfaced as an art dealer. He was the first person the Finn had known who'd "gone silicon" -- the phrase had an old-fashioned ring for Case -- and the microsofts he purchased were art history programs and tables of gallery sales. With half a dozen chips in his new socket, Smith's knowledge of the art business was formidable, at least by the standards of his colleagues. But Smith had come to the Finn with a request for help, a fraternal request, one businessman to another. He wanted a go-to on the Tessier-Ashpool clan, he said, and it had to be executed in a way that would guarantee the impossibility of the subject ever tracing the inquiry to its source. It might be possible, the Finn had opined, but an explanation was definitely required. "It smelled," the Finn said to Case, "smelled of money. And Smith was being very careful. Almost too careful."

Smith, it developed, had had a supplier known as Jimmy. Jimmy was a burglar and other things as well, and just back from a year in high orbit, having carried certain things back down the gravity well. The most unusual thing Jimmy had managed to score on his swing through the archipelago was a head, an intricately worked bust, cloisonne over platinum, studded with seedpearls and lapis. Smith, sighing, had put down his pocket microscope and advised Jimmy to melt the thing down. It was contemporary, not an antique, and had no value to the collector. Jimmy laughed. The thing was a computer terminal, he said. It could talk. And not in a synth-voice, but with a beautiful arrangement of gears and miniature organ pipes. It was a baroque thing for anyone to have constructed, a perverse thing, because synth-voice chips cost next to nothing. It was a curiosity. Smith jacked the head into his computer and listened as the melodious, inhuman voice piped the figures of last year's tax return.

Smith's clientele included a Tokyo billionaire whose passion for clockwork automata approached fetishism. Smith shrugged, showing Jimmy his upturned palms in a gesture old as pawn shops. He could try, he said, but he doubted he could get much for it.

When Jimmy had gone, leaving the head, Smith went over it carefully, discovering certain hallmarks. Eventually he'd been able to trace it to an unlikely collaboration between two Zurich artisans, an enamel specialist in Paris, a Dutch jeweler, and a California chip designer. It had been commissioned, he discovered, by Tessier-Ashpool S.A.

Smith began to make preliminary passes at the Tokyo collector, hinting that he was on the track of something noteworthy.

And then he had a visitor, a visitor unannounced, one who walked in through the elaborate maze of Smith's security as though it didn't exist. A small man, Japanese, enormously polite, who bore all the marks of a vatgrown ninja assassin. Smith sat very still, staring into the calm brown eyes of death across a polished table of Vietnamese rosewood. Gently, almost apologetically, the cloned killer explained that it was his duty to find and return a certain artwork, a mechanism of great beauty, which had been taken from the house of his master. It had come to his attention, the ninja said, that Smith might know of the whereabouts of this object.

Smith told the man that he had no wish to die, and produced the head. And how much, his visitor asked, did you expect to obtain through the sale of this object? Smith named a figure far lower than the price he'd intended to set. The ninja produced a credit chip and keyed Smith that amount out of a numbered Swiss account. And who, the man asked, brought you this piece? Smith told him. Within days, Smith learned of Jimmy's death.

"So that was where I came in," the Finn continued. "Smith knew I dealt a lot with the Memory Lane crowd, and that's where you go for a quiet go-to that'll never be traced. I hired a cowboy. I was the cut-out, so I took a percentage. Smith, he was careful. He'd just had a very weird business experience and he'd come out on top, but it didn't add up. Who'd paid, out of that Swiss stash? Yakuza? No way. They got a very rigid code covers situations like that, and they kill the receiver too, always. Was it spook stuff? Smith didn't think so. Spook biz has a vibe, you get so you can smell it. Well, I had my cowboy buzz the news morgues until we found Tessier-Ashpool in litigation. The case wasn't anything, but we got the law firm. Then he did the lawyer's ice and we got the family address. Lotta good it did us."

Case raised his eyebrows.

"Freeside," the Finn said. "The spindle. Turns out they own damn near the whole thing. The interesting stuff was the picture we got when the cowboy ran a regular go-to on the news morgues and compiled a precis. Family organization. Corporate structure. Supposedly you can buy into an S.A., but there hasn't been a share of Tessier-Ashpool traded on the open market in over a hundred years. On any market, as far as I know. You're looking at a very quiet, very eccentric first-generation high-orbit family, run like a corporation. Big money, very shy of media. Lot of cloning. Orbital law's a lot softer on genetic engineering, right? And it's hard to keep track of which generation, or combination of generations, is running the show at a given time."

"How's that?" Molly asked.

"Got their own cryogenic setup. Even under orbital law, you're legally dead for the duration of a freeze. Looks like they trade off, though nobody's seen the founding father in about thirty years. Founding momma, she died in some lab accident ..."

"So what happened with your fence?"

"Nothing." The Finn frowned. "Dropped it. We had a look at this fantastic tangle of powers of attorney the T-A's have, and that was it. Jimmy must've gotten into Straylight, lifted the head, and Tessier-Ashpool sent their ninja after it. Smith decided to forget about it. Maybe he was smart." He looked at Molly. "The Villa Straylight. Tip of the spindle. Strictly private."

"You figure they own that ninja, Finn?" Molly asked.

"Smith thought so."

"Expensive," she said. "Wonder whatever happened to that little ninja, Finn?"

"Probably got him on ice. Thaw when needed."

"Okay," Case said, "we got Armitage getting his goodies off an AI named Wintermute. Where's that get us?"

"Nowhere yet," Molly said, "but you got a little side gig now." She drew a folded scrap of paper from her pocket and handed it to him. He opened it. Grid coordinates and entry codes.

"Who's this?"

"Armitage. Some data base of his. Bought it from the Moderns. Separate deal. Where is it?"

"London," Case said.

"Crack it." She laughed. "Earn your keep for a change."



Case waited for a trans-BAMA local on the crowded platform. Molly had gone back to the loft hours ago, the Flatline's construct in her green bag, and Case had been drinking steadily ever since.

It was disturbing to think of the Flatline as a construct, a hardwired ROM cassette replicating a dead man's skills, obsessions, knee-jerk responses ... The local came booming in along the black induction strip, fine grit sifting from cracks in the tunnel's ceiling. Case shuffled into the nearest door and watched the other passengers as he rode. A pair of predatory-looking Christian Scientists were edging toward a trio of young office techs who wore idealized holographic vaginas on their wrists, wet pink glittering under the harsh lighting. The techs licked their perfect lips nervously and eyed the Christian Scientists from beneath lowered metallic lids. The girls looked like tall, exotic grazing animals, swaying gracefully and unconsciously with the movement of the train, their high heels like polished hooves against the gray metal of the car's floor. Before they could stampede, take flight from the missionaries, the train reached Case's station.

He stepped out and caught sight of a white holographic cigar suspended against the wall of the station, FREESIDE pulsing beneath it in contorted capitals that mimicked printed Japanese. He walked through the crowd and stood beneath it, studying the thing. WHY WAIT? pulsed the sign. A blunt white spindle, flanged and studded with grids and radiators, docks, domes. He'd seen the ad, or others like it, thousands of times. It had never appealed to him. With his deck, he could reach the Freeside banks as easily as he could reach Atlanta. Travel was a meat thing. But now he noticed the little sigil, the size of a small coin, woven into the lower left corner of the ad's fabric of light: T-A.

He walked back to the loft, lost in memories of the Flatline. He'd spent most of his nineteenth summer in the Gentleman Loser, nursing expensive beers and watching the cowboys. He'd never touched a deck, then, but he knew what he wanted. There were at least twenty other hopefuls ghosting the Loser, that summer, each one bent on working joeboy for some cowboy. No other way to learn.

They'd all heard of Pauley, the redneck jockey from the 'Lanta fringes, who'd survived braindeath behind black ice. The grapevine -- slender, street level, and the only one going -- had little to say about Pauley, other than that he'd done the impossible. "It was big," another would-be told Case, for the price of a beer, "but who knows what? I hear maybe a Brazilian payroll net. Anyway, the man was dead, flat down braindeath." Case stared across the crowded bar at a thickset man in shirtsleeves, something leaden about the shade of his skin.

"Boy," the Flatline would tell him, months later in Miami, "I'm like them huge fuckin' lizards, you know? Had themself two goddam brains, one in the head an' one by the tailbone, kept the hind legs movin'. Hit that black stuff and ol' tailbrain jus' kept right on keepin' on."

The cowboy elite in the Loser shunned Pauley out of some strange group anxiety, almost a superstition. McCoy Pauley, Lazarus of cyberspace ...

And his heart had done for him in the end. His surplus Russian heart, implanted in a POW camp during the war. He'd refused to replace the thing, saying he needed its particular beat to maintain his sense of timing. Case fingered the slip of paper Molly had given him and made his way up the stairs.

Molly was snoring on the temperfoam. A transparent cast ran from her knee to a few millimeters below her crotch, the skin beneath the rigid micropore mottled with bruises, the black shading into ugly yellow. Eight derms, each a different size and color, ran in a neat line down her left wrist. An Akai transdermal unit lay beside her, its fine red leads connected to input trodes under the cast.

He turned on the tensor beside the Hosaka. The crisp circle of light fell directly on the Flatline's construct. He slotted some ice, connected the construct, and jacked in.

It was exactly the sensation of someone reading over his shoulder.

He coughed. "Dix? McCoy? That you man?" His throat was tight.

"Hey, bro," said a directionless voice.

"It's Case, man. Remember?"

"Miami, joeboy, quick study."

"What's the last thing you remember before I spoke to you, Dix?"

"Nothin'."

"Hang on." He disconnected the construct. The presence was gone. He reconnected it. "Dix? Who am I?"

"You got me hung, Jack. Who the fuck are you?"

"Ca -- your buddy. Partner. What's happening, man?"

"Good question."

"Remember being here, a second ago?"

"No."

"Know how a ROM personality matrix works?"

"Sure, bro, it's a firmware construct."

"So I jack it into the bank I'm using, I can give it sequential, real time memory?"

"Guess so," said the construct.

"Okay, Dix. You are  a ROM construct. Got me?"

"If you say so," said the construct. "Who are you?"

"Case."

"Miami," said the voice, "joeboy, quick study."

"Right. And for starts, Dix, you and me, we're gonna sleaze over to London grid and access a little data. You game for that?"

"You gonna tell me I got a choice, boy?"











Chapter 6





"You want you a paradise," the Flatline advised, when Case had explained his situation. "Check Copenhagen, fringes of the university section." The voice recited coordinates as he punched.

They found their paradise, a "pirate's paradise," on the jumbled border of a low-security academic grid. At first glance it resembled the kind of graffiti student operators sometimes left at the junctions of grid lines, faint glyphs of colored light that shimmered against the confused outlines of a dozen arts faculties.

"There," said the Flatline, "the blue one. Make it out? That's an entry code for Bell Europa. Fresh, too. Bell'll get in here soon and read the whole damn board, change any codes they find posted. Kids'll steal the new ones tomorrow."

Case tapped his way into Bell Europa and switched to a standard phone code. With the Flatline's help, he connected with the London data base that Molly claimed was Armitage's.

"Here," said the voice, "I'll do it for you." The Flatline began to chant a series of digits, Case keying them on his deck, trying to catch the pauses the construct used to indicate timing. It took three tries.

"Big deal," said the Flatline. "No ice at all."

"Scan this shit," Case told the Hosaka. "Sift for owner's personal history."

The neuroelectronic scrawls of the paradise vanished, replaced by a simple lozenge of white light. "Contents are primarily video recordings of postwar military trials," said the distant voice of the Hosaka. "Central figure is Colonel Willis Corto."

"Show it already," Case said.

A man's face filled the screen. The eyes were Armitage's.



Two hours later, Case fell beside Molly on the slab and let the temperfoam mold itself against him.

"You find anything?" she asked, her voice fuzzy with sleep and drugs.

"Tell you later," he said, "I'm wrecked." He was hungover and confused. He lay there, eyes closed, and tried to sort the various parts of a story about a man called Corto. The Hosaka had sorted a thin store of data and assembled a precis, but it was full of gaps. Some of the material had been print records, reeling smoothly down the screen, too quickly, and Case had had to ask the computer to read them for him. Other segments were audio recordings of the Screaming Fist hearing.

Willis Corto, Colonel, had plummeted through a blind spot in the Russian defenses over Kirensk. The shuttles had created the hole with pulse bombs, and Corto's team had dropped in in Nightwing microlights, their wings snapping taut in moonlight, reflected in jags of silver along the rivers Angara and Podhamennaya, the last light Corto would see for fifteen months. Case tried to imagine the microlights blossoming out of their launch capsules, high above a frozen steppe.

"They sure as hell did shaft you, boss," Case said, and Molly stirred beside him.

The microlights had been unarmed, stripped to compensate for the weight of a console operator, a prototype deck, and a virus program called Mole IX, the first true virus in the history of cybernetics. Corto and his team had been training for the run for three years. They were through the ice, ready to inject Mole IX, when the emps went off. The Russian pulse guns threw the jockeys into electronic darkness; the Nightwings suffered systems crash, flight circuitry wiped clean.



Then the lasers opened up, aiming on infrared, taking out the fragile, radar-transparent assault planes, and Corto and his dead console man fell out of a Siberian sky. Fell and kept falling ...

There were gaps in the story, here, where Case scanned documents concerning the flight of a commandeered Russian gunship that managed to reach Finland. To be gutted, as it landed in a spruce grove, by an antique twenty-millimeter cannon manned by a cadre of reservists on dawn alert. Screaming Fist had ended for Corto on the outskirts of Helsinki, with Finnish paramedics sawing him out of the twisted belly of the helicopter. The war ended nine days later, and Corto was shipped to a military facility in Utah, blind, legless, and missing most of his jaw. It took eleven months for the Congressional aide to find him there. He listened to the sound of tubes draining. In Washington and McLean, the show trials were already underway. The Pentagon and the CIA were being Balkanized, partially dismantled, and a Congressional investigation had focused on Screaming Fist. Ripe for watergating, the aide told Corto.

He'd need eyes, legs, and extensive cosmetic work, the aide said, but that could be arranged. New plumbing, the man added, squeezing Corto's shoulder through the sweat-damp sheet.

Corto heard the soft, relentless dripping. He said he preferred to testify as he was.

No, the aide explained, the trials were being televised. The trials needed to reach the voter. The aide coughed politely.

Repaired, refurnished, and extensively rehearsed, Corto's subsequent testimony was detailed, moving, lucid, and largely the invention of a Congressional cabal with certain vested interests in saving particular portions of the Pentagon infrastructure. Corto gradually understood that the testimony he gave was instrumental in saving the careers of three officers directly responsible for the suppression of reports on the building of the emp installations at Kirensk.

His role in the trials over, he was unwanted in Washington. In an M Street restaurant, over asparagus crepes, the aide explained the terminal dangers involved in talking to the wrong people. Corto crushed the man's larynx with the rigid fingers of his right hand. The Congressional aide strangled, his face in an asparagus crepe, and Corto stepped out into cool Washington September.

The Hosaka rattled through police reports, corporate espionage records, and news files. Case watched Corto work corporate defectors in Lisbon and Marrakesh, where he seemed to grow obsessed with the idea of betrayal, to loathe the scientists and technicians he bought out for his employers. Drunk, in Singapore, he beat a Russian engineer to death in a hotel and set fire to his room.

Next he surfaced in Thailand, as overseer of a heroin factory. Then as enforcer for a California gambling cartel, then as a paid killer in the ruins of Bonn. He robbed a bank in Wichita. The record grew vague, shadowy, the gaps longer.

One day, he said, in a taped segment that suggested chemical interrogation, everything had gone gray.

Translated French medical records explained that a man without identification had been taken to a Paris mental health unit and diagnosed as schizophrenic. He became catatonic and was sent to a government institution on the outskirts of Toulon. He became a subject in an experimental program that sought to reverse schizophrenia through the application of cybernetic models. A random selection of patients were provided with microcomputers and encouraged, with help from students, to program them. He was cured, the only success in the entire experiment.

The record ended there.

Case turned on the foam and Molly cursed him softly for disturbing her.



The telephone rang. He pulled it into bed. "Yeah?"

"We're going to Istanbul," Armitage said. "Tonight."

"What does the bastard want?" Molly asked.

"Says we're going to Istanbul tonight."

"That's just wonderful."

Armitage was reading off flight numbers and departure times.

Molly sat up and turned on the light.

"What about my gear?" Case asked. "My deck."

"Finn will handle it," said Armitage, and hung up.

Case watched her pack. There were dark circles under her eyes, but even with the cast on, it was like watching a dance. No wasted motion. His clothes were a rumpled pile beside his bag.

"You hurting?" he asked.

"I could do with another night at Chin's."

"Your dentist?"

"You betcha. Very discreet. He's got half that rack, full clinic. Does repairs for samurai." She was zipping her bag. "You ever been to 'Stambul?"

"Couple days, once."

"Never changes," she said. "Bad old town."



"It was like this when we headed for Chiba," Molly said, staring out the train window at blasted industrial moonscape, red beacons on the horizon warning aircraft away from a fusion plant. "We were in L.A. He came in and said Pack, we were booked for Macau. When we got there, I played fantan in the Lisboa and he crossed over into Zhongshan. Next day I was playing ghost with you in Night City." She took a silk scarf from the sleeve of her black jacket and polished the insets. The landscape of the northern Sprawl woke confused memories of childhood for Case, dead grass tufting the cracks in a canted slab of freeway concrete.

The train began to decelerate ten kilometers from the airport. Case watched the sun rise on the landscape of childhood, on broken slag and the rusting shells of refineries.











Chapter 7







It was raining in Beyoglu, and the rented Mercedes slid past the grilled and unlit windows of cautious Greek and Armenian jewelers. The street was almost empty, only a few dark-coated figures on the sidewalks turning to stare after the car.

"This was formerly the prosperous European section of Ottoman Istanbul," purred the Mercedes.

"So it's gone downhill," Case said.

"The Hilton's in Cumhuriyet Caddesi," Molly said. She settled back against the car's gray ultrasuede.

"How come Armitage flies alone?" Case asked.

He had a headache.

" 'Cause you get up his nose. You're sure getting up mine."

He wanted to tell her the Corto story, but decided against it. He'd used a sleep derm, on the plane.

The road in from the airport had been dead straight, like a neat incision, laying the city open. He'd watched the crazy walls of patchwork wooden tenements slide by, condos, arcologies, grim housing projects, more walls of plyboard and corrugated iron.

The Finn, in a new Shinjuku suit, sarariman black, was waiting sourly in the Hilton lobby, marooned on a velour armchair in a sea of pale blue carpeting.

"Christ," Molly said. "Rat in a business suit."

They crossed the lobby.

"How much you get paid to come over here, Finn?" She lowered her bag beside the armchair. "Bet not as much as you get for wearing that suit, huh?"

The Finn's upper lips drew back. "Not enough, sweetmeat." He handed her a magnetic key with a round yellow tag. "You're registered already. Honcho's upstairs." He looked around. "This town sucks."

"You get agoraphobic, they take you out from under a dome. Just pretend it's Brooklyn or something." She twirled the key around a finger. "You here as valet or what?"

"I gotta check out some guy's implants," the Finn said.

"How about my deck?" Case asked.

The Finn winced. "Observe the protocol. Ask the boss."

Molly's fingers moved in the shadow of her jacket, a flicker of jive. The Finn watched, then nodded.

"Yeah," she said, "I know who that is." She jerked her head in the direction of the elevators. "Come on, cowboy." Case followed her with both bags.



Their room might have been the one in Chiba where he'd first seen Armitage. He went to the window, in the morning, almost expecting to see Tokyo Bay. There was another hotel across the street. It was still raining. A few letter-writers had taken refuge in doorways, their old voiceprinters wrapped in sheets of clear plastic, evidence that the written word still enjoyed a certain prestige here. It was a sluggish country. He watched a dull black Citroen sedan, a primitive hydrogen-cell conversion, as it disgorged five sullen-looking Turkish officers in rumpled green uniforms. They entered the hotel across the street.

He glanced back at the bed, at Molly, and her paleness struck him. She'd left the micropore cast on the bedslab in their loft, beside the transdermal inducer. Her glasses reflected part of the room's light fixture.

He had the phone in his hand before it had a chance to ring twice. "Glad you're up," Armitage said.

"I'm just. Lady's still under. Listen, boss, I think it's maybe time we have a little talk. I think I work better if I know a little more about what I'm doing."



Silence on the line. Case bit his lip.

"You know as much as you need to. Maybe more."

"You think so?"

"Get dressed, Case. Get her up. You'll have a caller in about fifteen minutes. His name is Terzibashjian." The phone bleated softly. Armitage was gone.

"Wake up, baby," Case said. "Biz."

"I've been awake an hour already." The mirrors turned.

"We got a Jersey Bastion coming up."

"You got an ear for language, Case. Bet you're part Armenian. That's the eye Armitage has had on Riviera. Help me up."

Terzibashjian proved to be a young man in a gray suit and gold-framed, mirrored glasses. His white shirt was open at the collar, revealing a mat of dark hair so dense that Case at first mistook it for some kind of t-shirt. He arrived with a black Hilton tray arranged with three tiny, fragrant cups of thick black coffee and three sticky, straw-colored Oriental sweets.



"We must, as you say in Ingiliz , take this one very easy." He seemed to stare pointedly at Molly, but at last he removed the silver glasses. His eyes were a dark brown that matched the shade of his very short military-cut hair. He smiled. "It is better, this way, yes? Else we make the tunel  infinity, mirror into mirror ... You particularly," he said to her, "must take care. In Turkey there is disapproval of women who sport such modifications."

Molly bit one of the pastries in half. "It's my show, Jack," she said, her mouth full. She chewed, swallowed, and licked her lips. "I know about you. Stool for the military, right?" Her hand slid lazily into the front of her jacket and came out with the fletcher. Case hadn't known she had it.

"Very easy, please," Terzibashjian said, his white china thimble frozen centimeters from his lips.

She extended the gun. "Maybe you get the explosives, lots of them, or maybe you get a cancer. One dart, shitface. You won't feel it for months."

"Please. You call this in Ingiliz  making me very tight. . . ."

"I call it a bad morning. Now tell us about your man and get your ass out of here." She put the gun away.

"He is living in Fener, at KŸchŸk GŸlhane Djaddesi 14. I have his tunel  route, nightly to the bazaar. He performs most recently at the Yenishehir Palas Oteli, a modern place in the style turistik , but it has been arranged that the police have shown a certain interest in these shows. The Yenishehir management has grown nervous." He smiled. He smelled of some metallic aftershave.

"I want to know about the implants," she said, massaging her thigh, "I want to know exactly what he can do."

Terzibashjian nodded. "Worst is how you say in Ingiliz , the subliminals." He made the word four careful syllables.



"On our left," said the Mercedes, as it steered through a maze of rainy streets, "is Kapali Carsi, the grand bazaar."

Beside Case, the Finn made an appreciative noise, but he was looking in the wrong direction. The right side of the street was lined with miniature scrapyards. Case saw a gutted locomotive atop rust-stained, broken lengths of fluted marble. Headless marble statues were stacked like firewood.

"Homesick?" Case asked.

"Place sucks," the Finn said. His black silk tie was starting to resemble a worn carbon ribbon. There were medallions of kebab gravy and fried egg on the lapels of the new suit.

"Hey, Jersey," Case said to the Armenian, who sat behind them, "where'd this guy get his stuff installed?"

"In Chiba City. He has no left lung. The other is boosted, is how you say it? Anyone might buy these implants, but this one is most talented." The Mercedes swerved, avoiding a balloon-tired dray stacked with hides. "I have followed him in the street and seen a dozen cycles fall, near him, in a day. Find the cyclist in a hospital, the story is always the same. A scorpion poised beside a brake lever ..."

" ƒ„What you see is what you get,' yeah," the Finn said. "I seen the schematics on the guy's silicon. Very flash. What he imagines, you see. I figure he could narrow it to a pulse and fry a retina over easy."

"You have told this to your woman friend?" Terzibashjian leaned forward between the ultrasuede buckets. "In Turkey, women are still women. This one . . ."

The Finn snorted. "She'd have you wearing your balls for a bow tie if you looked at her cross-eyed."

"I do not understand this idiom."

"That's okay," Case said. "Means shut up."

The Armenian sat back, leaving a metallic edge of aftershave. He began to whisper to a Sanyo transceiver in a strange salad of Greek, French, Turkish, isolated fragments of English. The transceiver answered in French. The Mercedes swung smoothly around a corner. "The spice bazaar, sometimes called the Egyptian bazaar," the car said, "was erected on the site of an earlier bazaar erected by Sultan Hatice in 1660. This is the city's central market for spices, software, perfumes, drugs ..."

"Drugs," Case said, watching the car's wipers cross and recross the bulletproof Lexan. "What's that you said before, Jersey, about this Riviera being wired?"

"A mixture of cocaine and meperidine, yes." The Armenian went back to the conversation he was having with the Sanyo.

"Demerol, they used to call that," said the Finn. "He's a speedball artist. Funny class of people you're mixing with, Case."

"Never mind," Case said, turning up the collar of his jacket, "we'll get the poor fucker a new pancreas or

something."



Once they entered the bazaar, the Finn brightened noticeably, as though he were comforted by the crowd density and the sense of enclosure. They walked with the Armenian along a broad concourse, beneath soot-stained sheets of plastic and green-painted ironwork out of the age of steam. A thousand suspended ads writhed and flickered.

"Hey, Christ," the Finn said, taking Case's arm, "looka that." He pointed. "It's a horse, man. You ever see a horse?"

Case glanced at the embalmed animal and shook his head. It was displayed on a sort of pedestal, near the entrance to a place that sold birds and monkeys. The thing's legs had been worn black and hairless by decades of passing hands. "Saw one in Maryland once," the Finn said, "and that was a good three years after the pandemic. There's Arabs still trying to code 'em up from the DNA, but they always croak."

The animal's brown glass eyes seemed to follow them as they passed. Terzibashjian led them into a cafe near the core of the market, a low-ceilinged room that looked as though it had been in continuous operation for centuries. Skinny boys in soiled white coats dodged between the crowded tables, balancing steel trays with bottles of Turk-Tuborg and tiny glasses of tea.

Case bought a pack of Yeheyuans from a vendor by the door. The Armenian was muttering to his Sanyo. "Come," he said, "he is moving. Each night he rides the tunel  to the bazaar, to purchase his mixture from Ali. Your woman is close. Come."



The alley was an old place, too old, the walls cut from blocks of dark stone. The pavement was uneven and smelled of a century's dripping gasoline, absorbed by ancient limestone. "Can't see shit," he whispered to the Finn. "That's okay for sweetmeat," the Finn said.

"Quiet," said Terzibashjian, too loudly

Wood grated on stone or concrete. Ten meters down the alley, a wedge of yellow light fell across wet cobbles, widened. A figure stepped out and the door grated shut again, leaving the narrow place in darkness. Case shivered.

"Now," Terzibashjian said, and a brilliant beam of white light, directed from the rooftop of the building opposite the market, pinned the slender figure beside the ancient wooden door in a perfect circle. Bright eyes darted left, right, and the man crumpled. Case thought someone had shot him; he lay face down, blond hair pale against the old stone, his limp hands white and pathetic.

The floodlight never wavered.

The back of the fallen man's jacket heaved and burst, blood splashing the wall and doorway. A pair of impossibly long, rope-tendoned arms flexed grayish-pink in the glare. The thing seemed to pull itself up out of the pavement, through the inert, bloody ruin that had been Riviera. It was two meters tall, stood on two legs, and seemed to be headless. Then it swung slowly to face them, and Case saw that it had a head, but no neck. It was eyeless, the skin gleaming a wet intestinal pink. The mouth, if it was a mouth, was circular, conical, shallow, and lined with a seething growth of hairs or bristles, glittering like black chrome. It kicked the rags of clothing and flesh aside and took a step, the mouth seeming to scan for them as it moved.

Terzibashjian said something in Greek or Turkish and rushed the thing, his arms spread like a man attempting to dive through a window. He went through it. Into the muzzle-flash of a pistol from the dark beyond the circle of light. Fragments of rock whizzed past Case's head; the Finn jerked him down into a crouch.

The light from the rooftop vanished, leaving him with mismatched afterimages of muzzle-flash, monster, and white beam. His ears rang.

Then the light returned, bobbing now, searching the shadows. Terzibashjian was leaning against a steel door, his face very white in the glare. He held his left wrist and watched blood drip from a wound in his left hand. The blond man, whole again, unbloodied, lay at his feet.

Molly stepped out of the shadows, all in black, with her fletcher in her hand.

"Use the radio," the Armenian said, through gritted teeth. "Call in Mahmut. We must get him out of here. This is not a good place."

"Little prick nearly made it," the Finn said, his knees cracking loudly as he stood up, brushing ineffectually at the legs of his trousers. "You were watching the horror-show, right? Not the hamburger that got tossed out of sight. Real cute. Well, help 'em get his ass outa here. I gotta scan all that gear before he wakes up, make sure Armitage is getting his money's worth."

Molly bent and picked something up. A pistol. "A Nambu," she said. "Nice gun."

Terzibashjian made a whining sound. Case saw that most of his middle finger was missing.



With the city drenched in predawn blue, she told the Mercedes to take them to Topkapi. The Finn and an enormous Turk named Mahmut had taken Riviera, still unconscious, from the alley. Minutes later, a dusty Citroen had arrived for the Armenian, who seemed on the verge of fainting.

"You're an asshole," Molly told the man, opening the car door for him. "You shoulda hung back. I had him in my sights as soon as he stepped out." Terzibashjian glared at her. "So we're through with you anyway." She shoved him in and slammed the door. "Run into you again and I'll kill you," she said to the white face behind the tinted window. The Citroen ground away down the alley and swung clumsily into the street.

Now the Mercedes whispered through Istanbul as the city woke. They passed the Beyoglu tunel  terminal and sped past mazes of deserted back streets, run-down apartment houses that reminded Case vaguely of Paris.

"What is this thing?" he asked Molly, as the Mercedes parked itself on the fringes of the gardens that surround the Seraglio. He stared dully at the baroque conglomeration of styles that was Topkapi.

"It was sort of a private whorehouse for the King," she said, getting out stretching. "Kept a lotta women there. Now it's a museum. Kinda like Finn's shop, all this stuff just jumbled in there, big diamonds, swords, the left hand of John the Baptist ..."

"Like in a support vat?"

"Nah. Dead. Got it inside this brass hand thing, little hatch on the side so the Christians could kiss it for luck. Got it off the Christians about a million years ago, and they never dust the goddam thing, 'cause it's an infidel relic."

Black iron deer rusted in the gardens of the Seraglio. Case walked beside her, watching the toes of her boots crunch unkept grass made stiff by an early frost. They walked beside a path of cold octagonal flagstones. Winter was waiting, somewhere in the Balkans.

"That Terzi, he's grade-A scum," she said. "He's the secret police. Torturer. Real easy to buy out, too, with the kind of money Armitage was offering." In the wet trees around them, birds began to sing.

"I did that job for you," Case said, "the one in London. I got something, but I don't know what it means." He told her the Corto story.

"Well, I knew there wasn't anybody name of Armitage in that Screaming Fist. Looked it up." She stroked the rusted flank of an iron doe. "You figure the little computer pulled him out of it? In that French hospital?"

"I figure Wintermute," Case said.

She nodded.

"Thing is," he said, "do you think he knows he was Corto, before? I mean, he wasn't anybody in particular, by the time he hit the ward, so maybe Wintermute just . . ."

"Yeah. Built him up from go. Yeah . . ." She turned and they walked on. "It figures. You know, the guy doesn't have any life going, in private. Not as far as I can tell. You see a guy like that, you figure there's something he does when he's alone. But not Armitage. Sits and stares at the wall, man. Then something clicks and he goes into high gear and wheels for Wintermute."

"So why's he got that stash in London? Nostalgia?"

"Maybe he doesn't know about it," she said. "Maybe it's just in his name, right?"

"I don't get it," Case said.

"Just thinking out loud ... How smart's an AI, Case?"

"Depends. Some aren't much smarter than dogs. Pets. Cost a fortune anyway. The real smart ones are as smart as the Turing heat is willing to let 'em get."

"Look, you're a cowboy. How come you aren't just flat-out fascinated with those things?"

"Well," he said, "for starts, they're rare. Most of them are military, the bright ones, and we can't crack the ice. That's where ice all comes from, you know? And then there's the Turing cops, and that's bad heat." He looked at her. "I dunno, it just isn't part of the trip."

"Jockeys all the same," she said. "No imagination."

They came to a broad rectangular pond where carp nuzzled the stems of some white aquatic flower. She kicked a loose pebble in and watched the ripples spread.

"That's Wintermute," she said. "This deal's real big, looks to me. We're out where the little waves are too broad, we can't see the rock that hit the center. We know something's there, but not why. I wanna know why. I want you to go and talk to Wintermute."

"I couldn't get near it," he said. "You're dreaming."

"Try."

"Can't be done."

"Ask the Flatline."

"What do we want out of that Riviera?" he asked, hoping to change the subject.

She spat into the pond. "God knows. I'd as soon kill him as look at him. I saw his profile. He's a kind of compulsive Judas. Can't get off sexually unless he knows he's betraying the object of desire. That's what the file says. And they have to love him first. Maybe he loves them, too. That's why it was easy for Terzi to set him up for us, because he's been here three years, shopping politicals to the secret police. Probably Terzi let him watch, when the cattle prods came out. He's done eighteen in three years. All women age twenty to twenty-five. It kept Terzi in dissidents." She thrust her hands into her jacket pockets. "Because if he found one he really wanted, he'd make sure she turned political. He's got a personality like a Modern's suit. The profile said it was a very rare type, estimated one in a couple of million. Which anyway says something good about human nature, I guess." She stared at the white flowers and the sluggish fish, her face sour. "I think I'm going to have to buy myself some special insurance on that Peter."

Then she turned and smiled, and it was very cold.

"What's that mean?"

"Never mind. Let's go back to Beyoglu and find something like breakfast. I gotta busy night again, tonight. Gotta collect his stuff from that apartment in Fener, gotta go back to the bazaar and buy him some drugs ..."

"Buy him some drugs? How's he rate?"

She laughed. "He's not dying on the wire, sweetheart. And it looks like he can't work without that special taste. I like you better now, anyway, you aren't so goddam skinny." She smiled. "So I'll go to Ali the dealer and stock up. You betcha."



Armitage was waiting in their room at the Hilton.

"Time to pack," he said, and Case tried to find the man called Corto behind the pale blue eyes and the tanned mask. He thought of Wage, back in Chiba. Operators above a certain level tended to submerge their personalities, he knew. But Wage had had vices, lovers. Even, it had been rumored, children. The blankness he found in Armitage was something else.

"Where to now?" he asked, walking past the man to stare down into the street. "What kind of climate?"

"They don't have climate, just weather," Armitage said. "Here. Read the brochure." He put something on the coffee table and stood.

"Did Riviera check out okay? Where's the Finn?"

"Riviera's fine. The Finn is on his way home." Armitage smiled, a smile that meant as much as the twitch of some insect's antenna. His gold bracelet clinked as he reached out to prod Case in the chest. "Don't get too smart. Those little sacs are starting to show wear, but you don't know how much."

Case kept his face very still and forced himself to nod.

When Armitage was gone, he picked up one of the brochures. It was expensively printed, in French, English, and Turkish.

FREESIDEƒ€WHY WAIT?



The four of them were booked on a THY  flight out of Yesilkšy airport. Transfer at Paris to the JAL  shuttle. Case sat in the lobby of the Istanbul Hilton and watched Riviera browse bogus Byzantine fragments in the glass-walled gift shop. Armitage, his trenchcoat draped over his shoulders like a cape, stood in the shop's entrance.

Riviera was slender, blond, soft-voiced, his English accentless and fluid. Molly said he was thirty, but it would have been difficult to guess his age. She also said he was legally stateless and traveled under a forged Dutch passport. He was a product of the rubble rings that fringe the radioactive core of old Bonn.

Three smiling Japanese tourists bustled into the shop, nodding politely to Armitage. Armitage crossed the floor of the shop too quickly, too obviously, to stand beside Riviera. Riviera turned and smiled. He was very beautiful; Case assumed the features were the work of a Chiba surgeon. A subtle job, nothing like Armitage's blandly handsome blend of pop faces. The man's forehead was high and smooth, gray eyes calm and distant. His nose, which might have been too nicely sculpted, seemed to have been broken and clumsily reset. The suggestion of brutality offset the delicacy of his jaw and the quickness of his smile. His teeth were small, even, and very white. Case watched the white hands play over the imitation fragments of sculpture.

Riviera didn't act like a man who'd been attacked the night before, drugged with a toxin-flechette, abducted, subjected to the Finn's examination, and pressured by Armitage into joining their team.

Case checked his watch. Molly was due back from her drug run. He looked up at Riviera again. "I bet you're stoned right now, asshole," he said to the Hilton lobby. A graying Italian matron in a white leather tuxedo jacket lowered her Porsche glasses to stare at him. He smiled broadly, stood, and shouldered his bag. He needed cigarettes for the flight. He wondered if there was a smoking section on the JAL  shuttle. "See ya, lady," he said to the woman, who promptly slid the sunglasses back up her nose and turned away.

There were cigarettes in the gift shop, but he didn't relish talking with Armitage or Riviera. He left the lobby and located a vending console in a narrow alcove, at the end of a rank of pay phones.

He fumbled through a pocketful of lirasi, slotting the small dull alloy coins one after another, vaguely amused by the anachronism of the process. The phone nearest him rang.

Automatically, he picked it up.

"Yeah?"

Faint harmonics, tiny inaudible voices rattling across some orbital link, and then a sound like wind.

"Hello, Case."

A fifty-lirasi coin fell from his hand, bounced, and rolled out of sight across Hilton carpeting.

"Wintermute, Case. It's time we talk."

It was a chip voice.

"Don't you want to talk, Case?"

He hung up.

On his way back to the lobby, his cigarettes forgotten, he had to walk the length of the ranked phones. Each rang in turn, but only once, as he passed.









Part Three

Midnight in the Rue Jules Verne



Chapter 8







Archipelago.

The islands. Torus, spindle, cluster. Human DNA spreading out from gravity's steep well like an oilslick.

Call up a graphics display that grossly simplifies the exchange of data in the L-5 archipelago. One segment clicks in as red solid, a massive rectangle dominating your screen.

Freeside. Freeside is many things, not all of them evident to the tourists who shuttle up and down the well. Freeside is brothel and banking nexus, pleasure dome and free port, border town and spa. Freeside is Las Vegas and the hanging gardens of Babylon, an orbital Geneva and home to a family inbred and most carefully refined, the industrial clan of Tessier and Ashpool.



On the THY   liner to Paris, they sat together in First Class, Molly in the window seat, Case beside her, Riviera and Armitage on the aisle. Once, as the plane banked over water, Case saw the jewel-glow of a Greek island town. And once, reaching for his drink, he caught the flicker of a thing like a giant human sperm in the depths of his bourbon and water.

Molly leaned across him and slapped Riviera's face, once. "No, baby. No games. You play that subliminal shit around me, I'll hurt you real bad. I can do it without damaging you at all. I like  that."

Case turned automatically to check Armitage's reaction. The smooth face was calm, the blue eyes alert, but there was no anger. "That's right, Peter. Don't."

Case turned back, in time to catch the briefest flash of a black rose, its petals sheened like leather, the black stem thorned with bright chrome.

Peter Riviera smiled sweetly, closed his eyes, and fell instantly asleep.

Molly turned away, her lenses reflected in the dark window.



"You been up, haven't you?" Molly asked, as he squirmed his way back into the deep temperfoam couch on the JAL  shuttle.

"Nah. Never travel much, just for biz." The steward was attaching readout trodes to his wrist and left ear.

"Hope you don't get SAS," she said.

"Airsick? No way."

"It's not the same. Your heartbeat'll speed up in zero-g, and your inner ear'll go nuts for a while. Kicks in your flight reflex, like you'll be getting signals to run like hell, and a lot of adrenaline." The steward moved on to Riviera, taking a new set of trodes from his red plastic apron.

Case turned his head and tried to make out the outline of the old Orly terminals, but the shuttle pad was screened by graceful blast-deflectors of wet concrete. The one nearest the window bore an Arabic slogan in red spraybomb.

He closed his eyes and told himself the shuttle was only a big airplane, one that flew very high. It smelled like an airplane, like new clothes and chewing gum and exhaustion. He listened to the piped koto music and waited.

Twenty minutes, then gravity came down on him like a great soft hand with bones of ancient stone.



Space adaptation syndrome was worse than Molly's description, but it passed quickly enough and he was able to sleep. The steward woke him as they were preparing to dock at JAL 's terminal cluster.

"We transfer to Freeside now?" he asked, eyeing a shred of Yeheyuan tobacco that had drifted gracefully up out of his shirt pocket to dance ten centimeters from his nose. There was no smoking on shuttle flights.

"No, we got the boss's usual little kink in the plans, you know? We're getting this taxi out to Zion, Zion cluster." She touched the release plate on her harness and began to free herself from the embrace of the foam. "Funny choice of venue, you ask me."

"How's that?"

"Dreads. Rastas. Colony's about thirty years old now."

"What's that mean?"

"You'll see. It's an okay place by me. Anyway, they'll let you smoke your cigarettes there."



Zion had been founded by five workers who'd refused to return, who'd turned their backs on the well and started building. They'd suffered calcium loss and heart shrinkage before rotational gravity was established in the colony's central torus. Seen from the bubble of the taxi, Zion's makeshift hull reminded Case of the patchwork tenements of Istanbul, the irregular, discolored plates laser-scrawled with Rastafarian symbols and the initials of welders.

Molly and a skinny Zionite called Aerol helped Case negotiate a freefall corridor into the core of a smaller torus. He'd lost track of Armitage and Riviera in the wake of a second wave of SAS vertigo. "Here," Molly said, shoving his legs into a narrow hatchway overhead. "Grab the rungs. Make like you're climbing backward, right? You're going toward the hull, that's like you're climbing down into gravity. Got it?"

Case's stomach churned.

"You be fine, mon," Aerol said, his grin bracketed with gold incisors.

Somehow, the end of the tunnel had become its bottom. Case embraced the weak gravity like a drowning man finding a pocket of air.

"Up," Molly said, "you gonna kiss it next?" Case lay flat on the deck, on his stomach, arms spread.



Something struck him on the shoulder. He rolled over and saw a fat bundle of elastic cable. "Gotta play house," she said. "You help me string this up." He looked around the wide, featureless space and noticed steel rings welded on every surface, seemingly at random.

When they'd strung the cables, according to some complex scheme of Molly's, they hung them with battered sheets of yellow plastic. As they worked, Case gradually became aware of the music that pulsed constantly through the cluster. It was called dub, a sensuous mosaic cooked from vast libraries of digitalized pop; it was worship, Molly said, and a sense of community. Case heaved at one of the yellow sheets; the thing was light but still awkward. Zion smelled of cooked vegetables, humanity, and ganja.

"Good," Armitage said, gliding loose-kneed through the hatch and nodding at the maze of sheets. Riviera followed, less certain in the partial gravity.

"Where were you when it needed doing?" Case asked Riviera.

The man opened his mouth to speak. A small trout swam out, trailing impossible bubbles. It glided past Case's cheek. "In the head," Riviera said, and smiled.

Case laughed.

"Good," Riviera said, "you can laugh. I would have tried to help you, but I'm no good with my hands." He held up his palms, which suddenly doubled. Four arms, four hands.

"Just the harmless clown, right, Riviera?" Molly stepped between them.

"Yo," Aerol said, from the hatch, "you wan' come wi' me, cowboy mon."

"It's your deck," Armitage said, "and the other gear. Help him get it in from the cargo bay."

"You ver' pale, mon," Aerol said, as they were guiding the foam-bundled Hosaka terminal along the central corridor. "Maybe you wan' eat somethin'."

Case's mouth flooded with saliva; he shook his head.



Armitage announced an eighty-hour stay in Zion. Molly and Case would practice in zero gravity, he said, and acclimatize themselves to working in it. He would brief them on Freeside and the Villa Straylight. It was unclear what Riviera was supposed to be doing, but Case didn't feel like asking. A few hours after their arrival, Armitage had sent him into the yellow maze to call Riviera out for a meal. He'd found him curled like a cat on a thin pad of temperfoam, naked, apparently asleep, his head orbited by a revolving halo of small white geometric forms, cubes, spheres, and pyramids. "Hey, Riviera." The ring continued to revolve. He'd gone back and told Armitage. "He's stoned," Molly said, looking up from the disassembled parts of her fletcher. "Leave him be."

Armitage seemed to think that zero-g would affect Case's ability to operate in the matrix. "Don't sweat it," Case argued, "I jack in and I'm not here. It's all the same."

"Your adrenaline levels are higher," Armitage said. "You've still got SAS. You won't have time for it to wear off. You're going to learn to work with it."

"So I do the run from here?"

"No. Practice, Case. Now. Up in the corridor ..."



Cyberspace, as the deck presented it, had no particular relationship with the deck's physical whereabouts. When Case jacked in, he opened his eyes to the familiar configuration of the Eastern Seaboard Fission Authority's Aztec pyramid of data.

"How you doing, Dixie?"

"I'm dead, Case. Got enough time in on this Hosaka to figure that one."

"How's it feel?"

"It doesn't."

"Bother you?"

"What bothers me is, nothin' does."

"How's that?"

"Had me this buddy in the Russian camp, Siberia, his thumb was frostbit. Medics came by and they cut it off. Month later he's tossin' all night. Elroy, I said, what's eatin' you? Goddam thumb's itchin', he says. So I told him, scratch it. McCoy, he says, it's the other  goddam thumb." When the construct laughed, it came through as something else, not laughter, but a stab of cold down Case's spine. "Do me a favor, boy."

"What's that, Dix?"

"This scam of yours, when it's over, you erase this goddam thing."



Case didn't understand the Zionites.

Aerol, with no particular provocation, related the tale of the baby who had burst from his forehead and scampered into a forest of hydroponic ganja. "Ver' small baby, mon, no long' you finga." He rubbed his palm across an unscarred expanse of brown forehead and smiled.

"It's the ganja," Molly said, when Case told her the story. "They don't make much of a difference between states, you know? Aerol tells you it happened, well, it happened to him.  It's not like bullshit, more like poetry. Get it?"

Case nodded dubiously. The Zionites always touched you when they were talking, hands on your shoulder. He didn't like that.

"Hey, Aerol," Case called, an hour later, as he prepared for a practice run in the freefall corridor. "Come here, man. Wanna show you this thing." He held out the trodes.

Aerol executed a slow-motion tumble. His bare feet struck the steel wall and he caught a girder with his free hand. The other held a transparent waterbag bulging with blue-green algae. He blinked mildly and grinned.

"Try it," Case said.

He took the band, put it on, and Case adjusted the trodes. He closed his eyes. Case hit the power stud. Aerol shuddered. Case jacked him back out. "What did you see, man?"

"Babylon," Aerol said, sadly, handing him the trodes and kicking off down the corridor.



Riviera sat motionless on his foam pad, his right arm extended straight out, level with his shoulder. A jewel-scaled snake, its eyes like ruby neon, was coiled tightly a few millimeters behind his elbow. Case watched the snake, which was finger-thick and banded black and scarlet, slowly contract, tightening around Riviera's arm.

"Come then," the man said caressingly to the pale waxy scorpion poised in the center of his upturned palm. "Come." The scorpion swayed its brownish claws and scurried up his arm, its feet tracking the faint dark telltales of veins. When it reached the inner elbow, it halted and seemed to vibrate. Riviera made a soft hissing sound. The sting came up, quivered, and sank into the skin above a bulging vein. The coral snake relaxed, and Riviera sighed slowly as the injection hit him.

Then the snake and the scorpion were gone, and he held a milky plastic syringe in his left hand. " ƒ„If God made anything better, he kept it for himself.' You know the expression, Case?"

"Yeah," Case said. "I heard that about lots of different things. You always make it into a little show?"

Riviera loosened and removed the elastic length of surgical tubing from his arm. "Yes. It's more fun." He smiled, his eyes distant now, cheeks flushed. "I've a membrane set in, just over the vein, so I never have to worry about the condition of the needle."

"Doesn't hurt?"

The bright eyes met his. "Of course it does. That's part of it, isn't it?"

"I'd just use derms," Case said.

"Pedestrian," Riviera sneered, and laughed, putting on a short-sleeved white cotton shirt.

"Must be nice," Case said, getting up.

"Get high yourself, Case?"

"I hadda give it up."



"Freeside," Armitage said, touching the panel on the little Braun hologram projector. The image shivered into focus, nearly three meters from tip to tip. "Casinos here." He reached into the skeletal representation and pointed. "Hotels, strata-title property, big shops along here." His hand moved. "Blue areas are lakes." He walked to one end of the model. "Big cigar. Narrows at the ends."

"We can see that fine," Molly said.

"Mountain effect, as it narrows. Ground seems to get higher, more rocky, but it's an easy climb. Higher you climb, the lower the gravity. Sports up there. There's velodrome ring here." He pointed.

"A what?" Case leaned forward.

"They race bicycles," Molly said. "Low grav, high-traction tires, get up over a hundred kilos an hour."

"This end doesn't concern us," Armitage said with his usual utter seriousness.

"Shit," Molly said, "I'm an avid cyclist."

Riviera giggled.

Armitage walked to the opposite end of the projection. "This end does." The interior detail of the hologram ended here, and the final segment of the spindle was empty. "This is the Villa Straylight. Steep climb out of gravity and every approach is kinked. There's a single entrance, here, dead center. Zero gravity."

"What's inside, boss?" Riviera leaned forward, craning his neck. Four tiny figures glittered, near the tip of Armitage's finger. Armitage slapped at them as if they were gnats.

"Peter," Armitage said, "you're going to be the first to find out. You'll arrange yourself an invitation. Once you're in, you see that Molly gets in."

Case stared at the blankness that represented Straylight, remembering the Finn's story: Smith, Jimmy, the talking head, and the ninja.

"Details available?" Riviera asked. "I need to plan a wardrobe, you see."

"Learn the streets," Armitage said, returning to the center of the model. "Desiderata Street here. This is the Rue Jules Verne."

Riviera rolled his eyes.

While Armitage recited the names of Freeside avenues, a dozen bright pustules rose on his nose, cheeks, and chin. Even Molly laughed.

Armitage paused, regarded them all with his cold empty eyes.

"Sorry," Riviera said, and the sores flickered and vanished.



Case woke, late into the sleeping period, and became aware of Molly crouched beside him on the foam. He could feel her tension. He lay there confused. When she moved, the sheer speed of it stunned him. She was up and through the sheet of yellow plastic before he'd had time to realize she'd slashed it open.

"Don't you move, friend."

Case rolled over and put his head through the rent in the plastic. "Wha . . . ?"

"Shut up."

"You th' one, mon," said a Zion voice. "Cateye, call 'em, call 'em Steppin' Razor. I Maelcum, sister. Brothers wan' converse wi' you an' cowboy."

"What brothers?"

"Founders, mon. Elders of Zion, ya know ..."

"We open that hatch, the light'll wake bossman," Case whispered.

"Make it special dark, now," the man said. "Come. I an' I visit th' Founders."

"You know how fast I can cut you, friend?"

"Don' stan' talkin', sister. Come."



The two surviving Founders of Zion were old men, old with the accelerated aging that overtakes men who spend too many years outside the embrace of gravity. Their brown legs, brittle with calcium loss, looked fragile in the harsh glare of reflected sunlight. They floated in the center of a painted jungle of rainbow foliage, a lurid communal mural that completely covered the hull of the spherical chamber. The air was thick with resinous smoke.

"Steppin' Razor," one said, as Molly drifted into the chamber. "Like unto a whippin' stick."

"That is a story we have, sister," said the other, "a religion story. We are glad you've come with Maelcum."

"How come you don't talk the patois?" Molly asked.

"I came from Los Angeles," the old man said. His dreadlocks were like a matted tree with branches the color of steel wool. "Long time ago, up the gravity well and out of Babylon. To lead the Tribes home. Now my brother likens you to Steppin' Razor."

Molly extended her right hand and the blades flashed in the smoky air.

The other Founder laughed, his head thrown back. "Soon come, the Final Days ... Voices. Voices cryin' inna wilderness, prophesyin' ruin unto Babylon ..."

"Voices." The Founder from Los Angeles was staring at Case. "We monitor many frequencies. We listen always. Came a voice, out of the babel of tongues, speaking to us. It played us a mighty dub."

"Call 'em Winter Mute," said the other, making it two words.

Case felt the skin crawl on his arms.

"The Mute talked to us," the first Founder said. "The Mute said we are to help you."

"When was this?" Case asked.

"Thirty hours prior you dockin' Zion."

"You ever hear this voice before?"

"No," said the man from Los Angeles, "and we are uncertain of its meaning. If these are Final Days, we must expect false prophets ..."

"Listen," Case said, "that's an AI, you know? Artificial intelligence. The music it played you, it probably just tapped your banks and cooked up whatever it thought you'd like to ƒ~"

"Babylon," broke in the other Founder, "mothers many demon, I an' I know. Multitude horde!"

"What was that you called me, old man?" Molly asked.

"Steppin' Razor. An' you bring a scourge on Babylon, sister, on its darkest heart ..."

"What kinda message the voice have?" Case asked.

"We were told to help you," the other said, "that you might serve as a tool of Final Days." His lined face was troubled. "We were told to send Maelcum with you, in his tug Garvey , to the Babylon port of Freeside. And this we shall do."

"Maelcum a rude boy," said the other, "an' a righteous tug pilot."

"But we have decided to send Aerol as well, in Babylon Rocker , to watch over Garvey. "

An awkward silence filled the dome.

"That's it?" Case asked. "You guys work for Armitage or what?"

"We rent you space," said the Los Angeles Founder. "We have a certain involvement here with various traffics, and no regard for Babylon's law. Our law is the word of Jah. But this time, it may be, we have been mistaken."

"Measure twice, cut once," said the other, softly.

"Come on, Case," Molly said. "Let's get back before the man figures out we're gone."

"Maelcum will take you. Jah love, sister."











Chapter 9











The tug Marcus Garvey , a steel drum nine meters long and two in diameter, creaked and shuddered as Maelcum punched for a navigational burn. Splayed in his elastic g-web, Case watched the Zionite's muscular back through a haze of scopolamine. He'd taken the drug to blunt SAS nausea, but the stimulants the manufacturer included to counter the scop had no effect on his doctored system.

"How long's it gonna take us to make Freeside?" Molly asked from her web beside Maelcum's pilot module.

"Don' be long now, m'seh dat."

"You guys ever think in hours?"

"Sister, time, it be time, ya know wha mean? Dread," and he shook his locks, "at control, mon, an' I an' I come a Freeside when I an' I come ..."

"Case," she said, "have you maybe done anything toward getting in touch with our pal from Berne? Like all that time you spent in Zion, plugged in with your lips moving?"

"Pal," Case said, "sure. No. I haven't. But I got a funny story along those lines, left over from Istanbul." He told her about the phones in the Hilton.

"Christ," she said, "there goes a chance. How come you hung up?"

"Coulda been anybody," he lied. "Just a chip . . . I dunno ..." He shrugged.

"Not just 'cause you were scared, huh?"

He shrugged again.

"Do it now."

"What?"

"Now. Anyway, talk to the Flatline about it."

"I'm all doped," he protested, but reached for the trodes. His deck and the Hosaka had been mounted behind Maelcum's module along with a very high-resolution Cray monitor.

He adjusted the trodes. Marcus Garvey  had been thrown together around an enormous old Russian air scrubber, a rectangular thing daubed with Rastafarian symbols, Lions of Zion and Black Star Liners, the reds and greens and yellows overlaying wordy decals in Cyrillic script. Someone had sprayed Maelcum's pilot gear a hot tropical pink, scraping most of the overspray off the screens and readouts with a razor blade. The gaskets around the airlock in the bow were festooned with semirigid globs and streamers of translucent caulk, like clumsy strands of imitation seaweed. He glanced past Maelcum's shoulder to the central screen and saw a docking display: the tug's path was a line of red dots, Freeside a segmented green circle. He watched the line extend itself, generating a new dot.

He jacked in.

"Dixie?"

"Yeah."

"You ever try to crack an AI?"

"Sure. I flatlined. First time. I was larkin', jacked up real high, out by Rio heavy commerce sector. Big biz, multinationals, Government of Brazil lit up like a Christmas tree. Just larkin' around, you know? And then I started picking up on this one cube, maybe three levels higher up. Jacked up there and made a pass."

"What did it look like, the visual?"

"White cube."

"How'd you know it was an AI?"

"How'd I know? Jesus. It was the densest ice I'd ever seen. So what else was it? The military down there don't have anything like that. Anyway, I jacked out and told my computer to look it up."

"Yeah?"

"It was on the Turing Registry. AI. Frog company owned its Rio mainframe."

Case chewed his lower lip and gazed out across the plateaus of the Eastern Seaboard Fission Authority, into the infinite neuroelectronic void of the matrix. "Tessier-Ashpool, Dixie?"

"Tessier, yeah."

"And you went back?"

"Sure. I was crazy. Figured I'd try to cut it. Hit the first strata and that's all she wrote. My joeboy smelled the skin frying and pulled the trodes off me. Mean shit, that ice."

"And your EEG was flat."

"Well, that's the stuff of legend, ain't it?"

Case jacked out. "Shit," he said, "how do you think Dixie got himself flatlined, huh? Trying to buzz an AI. Great ..."

"Go on," she said, "the two of you are supposed to be dynamite, right?"



"Dix," Case said, "I wanna have a look at an AI in Berne. Can you think of any reason not to?"

"Not unless you got a morbid fear of death, no."

Case punched for the Swiss banking sector, feeling a wave of exhilaration as cyberspace shivered, blurred, gelled. The Eastern Seaboard Fission Authority was gone, replaced by the cool geometric intricacy of Zurich commercial banking. He punched again, for Berne.

"Up," the construct said. "It'll be high."

They ascended lattices of light, levels strobing, a blue flicker.

That'll be it, Case thought.

Wintermute was a simple cube of white light, that very simplicity suggesting extreme complexity.

"Don't look much, does it?" the Flatline said. "But just you try and touch it."

"I'm going in for a pass, Dixie."

"Be my guest."

Case punched to within four grid points of the cube. Its blank face, towering above him now, began to seethe with faint internal shadows, as though a thousand dancers whirled behind a vast sheet of frosted glass.

"Knows we're here," the Flatline observed.

Case punched again, once; they jumped forward by a single grid point.

A stippled gray circle formed on the face of the cube.

"Dixie ..."

"Back off, fast."

The gray area bulged smoothly, became a sphere, and detached itself from the cube.

Case felt the edge of the deck sting his palm as he slapped MAX REVERSE. The matrix blurred backward; they plunged down a twilit shaft of Swiss banks. He looked up. The sphere was darker now, gaining on him. Falling.

"Jack out," the Flatline said.



Cold steel odor and ice caressed his spine.

And faces peering in from a neon forest, sailors and hustlers and whores, under a poisoned silver sky ...

"Look, Case, you tell me what the fuck is going on with you, you wig or something?"

A steady pulse of pain, midway down his spine ƒ~



Rain woke him, a slow drizzle, his feet tangled in coils of discarded fiberoptics. The arcade's sea of sound washed over him, receded, returned. Rolling over, he sat up and held his head.

Light from a service hatch at the rear of the arcade showed him broken lengths of damp chipboard and the dripping chassis of a gutted game console. Streamlined Japanese was stenciled across the side of the console in faded pinks and yellows.

He glanced up and saw a sooty plastic window, a faint glow of fluorescents.

His back hurt, his spine.

He got to his feet, brushed wet hair out of his eyes.

Something had happened ...

He searched his pockets for money, found nothing, and shivered. Where was his jacket? He tried to find it, looked behind the console, but gave up.

On Ninsei, he took the measure of the crowd. Friday. It had to be a Friday. Linda was probably in the arcade. Might have money, or at least cigarettes ... Coughing, wringing rain from the front of his shirt, he edged through the crowd to the arcade's entrance.

Holograms twisted and shuddered to the roaring of the games, ghosts overlapping in the crowded haze of the place, a smell of sweat and bored tension. A sailor in a white t-shirt nuked Bonn on a Tank War console, an azure flash.

She was playing Wizard's Castle, lost in it, her gray eyes rimmed with smudged black paintstick.

She looked up as he put his arm around her, smiled. "Hey. How you doin'? Look wet."

He kissed her.

"You made me blow my game," she said. "Look there, asshole. Seventh level dungeon and the goddam vampires got me." She passed him a cigarette. "You look pretty strung, man. Where you been?"

"I don't know."

"You high, Case? Drinkin' again? Eatin' Zone's dex?"

"Maybe . . . how long since you seen me?"

"Hey, it's a put-on, right?" She peered at him. "Right?"

"No. Some kind of blackout. I . . . I woke up in the alley."

"Maybe somebody decked you, baby. Got your roll intact?"

He shook his head.

"There you go. You need a place to sleep, Case?"

"I guess so."

"Come on, then." She took his hand. "We'll get you a coffee and something to eat. Take you home. It's good to see you, man." She squeezed his hand.

He smiled.

Something cracked.

Something shifted at the core of things. The arcade froze, vibrated ƒ~

She was gone. The weight of memory came down, an entire body of knowledge driven into his head like a microsoft into a socket. Gone. He smelled burning meat.

The sailor in the white t-shirt was gone. The arcade was empty, silent. Case turned slowly, his shoulders hunched, teeth bared, his hands bunched into involuntary fists. Empty. A crumpled yellow candy wrapper, balanced on the edge of a console, dropped to the floor and lay amid flattened butts and styrofoam cups.

"I had a cigarette," Case said, looking down at his white-knuckled fist. "I had a cigarette and a girl and a place to sleep. Do you hear me, you son of a bitch? You hear me?"

Echoes moved through the hollow of the arcade, fading down corridors of consoles.

He stepped out into the street. The rain had stopped.

Ninsei was deserted.

Holograms flickered, neon danced. He smelled boiled vegetables from a vendor' s pushcart across the street. An unopened pack of Yeheyuans lay at his feet, beside a book of matches. JULIUS DEANE IMPORT EXPORT. Case stared at the printed logo and its Japanese translation.

"Okay," he said, picking up the matches and opening the pack of cigarettes. "I hear you."



He took his time climbing the stairs of Deane's office. No rush, he told himself, no hurry. The sagging face of the Dali clock still told the wrong time. There was dust on the Kandinsky table and the Neo-Aztec bookcases. A wall of white fiberglass shipping modules filled the room with a smell of ginger.

"Is the door locked?" Case waited for an answer, but none came. He crossed to the office door and tried it. "Julie?"

The green-shaded brass lamp cast a circle of light on Deane's desk. Case stared at the guts of an ancient typewriter, at cassettes, crumpled printouts, at sticky plastic bags filled with ginger samples.

There was no one there.

Case stepped around the broad steel desk and pushed Deane's chair out of the way. He found the gun in a cracked leather holster fastened beneath the desk with silver tape. It was an antique, a .357 Magnum with the barrel and trigger-guard sawn off. The grip had been built up with layers of masking tape. The tape was old, brown, shiny with a patina of dirt. He flipped the cylinder out and examined each of the six cartridges. They were handloads. The soft lead was still bright and untarnished.

With the revolver in his right hand, Case edged past the cabinet to the left of the desk and stepped into the center of the cluttered office, away from the pool of light.

"I guess I'm not in any hurry. I guess it's your show. But all this shit, you know, it's getting kind of . . . old." He raised the gun with both hands, aiming for the center of the desk, and pulled the trigger.

The recoil nearly broke his wrist. The muzzle-flash lit the office like a flashbulb. With his ears ringing, he stared at the jagged hole in the front of the desk. Explosive bullet. Azide. He raised the gun again.

"You needn't do that, old son," Julie said, stepping out of the shadows. He wore a three-piece drape suit in silk herringbone, a striped shirt, and a bow tie. His glasses winked in the light.

Case brought the gun around and looked down the line of sight at Deane's pink, ageless face.

"Don't," Deane said. "You're right. About what this all is. What I am. But there are certain internal logics to be honored. If you use that, you'll see a lot of brains and blood, and it would take me several hours -- your subjective time -- to effect another spokesperson. This set isn't easy for me to maintain. Oh, and I'm sorry about Linda, in the arcade. I was hoping to speak through her, but I'm generating all this out of your memories, and the emotional charge ... Well, it's very tricky. I slipped. Sorry."

Case lowered the gun. "This is the matrix. You're Wintermute."

"Yes. This is all coming to you courtesy of the simstim unit wired into your deck, of course. I'm glad I was able to cut you off before you'd managed to jack out." Deane walked around the desk, straightened his chair, and sat down. "Sit, old son. We have a lot to talk about."

"Do we?"

"Of course we do. We have had for some time. I was ready when I reached you by phone in Istanbul. Time's very short now. You'll be making your run in a matter of days, Case." Deane picked up a bonbon and stripped off its checkered wrapper, popped it into his mouth. "Sit," he said around the candy.

Case lowered himself into the swivel chair in front of the desk without taking his eyes off Deane. He sat with the gun in his hand, resting it on his thigh.

"Now," Deane said briskly, "order of the day. ƒ„What,' you're asking yourself, ƒ„is Wintermute?' Am I right?"

"More or less."

"An artificial intelligence, but you know that. Your mistake, and it's quite a logical one, is in confusing the Wintermute mainframe, Berne, with the Wintermute entity. " Deane sucked his bonbon noisily. "You're already aware of the other AI in Tessier-Ashpool's link-up, aren't you? Rio. I, insofar as I have  an ƒ„I' -- this gets rather metaphysical, you see -- I am the one who arranges things for Armitage. Or Corto, who, by the way, is quite unstable. Stable enough," said Deane and withdrew an ornate gold watch from a vest pocket and flicked it open, "for the next day or so."

"You make about as much sense as anything in this deal ever has," Case said, massaging his temples with his free hand. "If you're so goddam smart . . ."

"Why ain't I rich?" Deane laughed, and nearly choked on his bonbon. "Well, Case, all I can say to that, and I really don't have nearly as many answers as you imagine I do, is that what you think of as Wintermute is only a part of another, a, shall we say, potential  entity. I, let us say, am merely one aspect of that entity's brain. It's rather like dealing, from your point of view, with a man whose lobes have been severed. Let's say you're dealing with a small part of the man's left brain. Difficult to say if you're dealing with the man at all, in a case like that." Deane smiled.

"Is the Corto story true? You got to him through a micro in that French hospital?"

"Yes. And I assembled the file you accessed in London. I try to plan, in your sense of the word, but that isn't my basic mode, really. I improvise. It's my greatest talent. I prefer situations to plans, you see ... Really, I've had to deal with givens. I can sort a great deal of information, and sort it very quickly. It's taken a very long time to assemble the team you're a part of. Corto was the first, and he very nearly didn't make it. Very far gone, in Toulon. Eating, excreting, and masturbating were the best he could manage. But the underlying structure of obsessions was there: Screaming Fist, his betrayal, the Congressional hearings."

"Is he still crazy?"

"He's not quite a personality." Deane smiled. "But I'm sure you're aware of that. But Corto is in there, somewhere, and I can no longer maintain that delicate balance. He's going to come apart on you, Case. So I'll be counting on you. . ."

"That's good, motherfucker," Case said, and shot him in the mouth with the .357.

He'd been right about the brains. And the blood.



"Mon," Maelcum was saying, "I don't like this ..."

"It's cool," Molly said. "It's just okay. It's something these guys do, is all. Like, he wasn't dead, and it was only a few seconds ..."

"I saw th' screen, EEG readin' dead. Nothin' movin', forty second."

"Well, he's okay now."

"EEG flat as a strap ," Maelcum protested.











Chapter 10







He was numb, as they went through customs, and Molly did most of the talking. Maelcum remained on board Garvey.  Customs, for Freeside, consisted mainly of proving your credit. The first thing he saw, when they gained the inner surface of the spindle, was a branch of the Beautiful Girl coffee franchise.

"Welcome to the Rue Jules Verne," Molly said. "If you have trouble walking, just look at your feet. The perspective's a bitch, if you're not used to it."

They were standing in a broad street that seemed to be the floor of a deep slot or canyon, its either end concealed by subtle angles in the shops and buildings that formed its walls. The light, here, was filtered through fresh green masses of vegetation tumbling from overhanging tiers and balconies that rose above them. The sun . . .

There was a brilliant slash of white somewhere above them, too bright, and the recorded blue of a Cannes sky. He knew that sunlight was pumped in with a Lado-Acheson system whose two-millimeter armature ran the length of the spindle, that they generated a rotating library of sky effects around it, that if the sky were turned off, he'd stare up past the armature of light to the curves of lakes, rooftops of casinos, other streets ... But it made no sense to his body.

"Jesus," he said, "I like this less than SAS."

"Get used to it. I was a gambler's bodyguard here for a month."

"Wanna go somewhere, lie down."

"Okay. I got our keys." She touched his shoulder.

"What happened to you, back there, man? You flatlined."

He shook his head. "I dunno, yet. Wait."

"Okay. We get a cab or something." She took his hand and led him across Jules Verne, past a window displaying the season's Paris furs.

"Unreal," he said, looking up again.

"Nah," she responded, assuming he meant the furs, "grow it on a collagen base, but it's mink DNA. What's it matter?"



"It's just a big tube and they pour things through it," Molly said. "Tourists, hustlers, anything. And there's fine mesh money screens working every minute, make sure the money stays here when the people fall back down the well."

Armitage had booked them into a place called the Intercontinental, a sloping glass-fronted cliff face that slid down into cold mist and the sound of rapids. Case went out onto their balcony and watched a trio of tanned French teenagers ride simple hang gliders a few meters above the spray, triangles of nylon in bright primary colors. One of them swung, banked, and Case caught a flash of cropped dark hair, brown breasts, white teeth in a wide smile. The air here smelled of running water and flowers. "Yeah," he said, "lotta money."

She leaned beside him against the railing, her hands loose and relaxed. "Yeah. We were gonna come here once, either here or some place in Europe."

"We who?"

"Nobody," she said, giving her shoulders an involuntary toss. "You said you wanted to hit the bed. Sleep. I could use some sleep."

"Yeah," Case said, rubbing his palms across his cheekbones. "Yeah, this is some place."

The narrow band of the Lado-Acheson system smoldered in abstract imitation of some Bermudan sunset, striped by shreds of recorded cloud. "Yeah," he said, "sleep."

Sleep wouldn't come. When it did, it brought dreams that were like neatly edited segments of memory. He woke repeatedly, Molly curled beside him, and heard the water, voices drifting in through the open glass panels of the balcony, a woman's laughter from the stepped condos on the opposite slope. Deane's death kept turning up like a bad card, no matter if he told himself that it hadn't been Deane. That it hadn't, in fact, happened at all. Someone had once told him that the amount of blood in the average human body was roughly equivalent to a case of beer.

Each time the image of Deane's shattered head struck the rear wall of the office, Case was aware of another thought something darker, hidden, that rolled away, diving like a fish, just beyond his reach.

Linda.

Deane. Blood on the wall of the importer's office.

Linda. Smell of burnt flesh in the shadows of the Chiba dome. Molly holding out a bag of ginger, the plastic filmed with blood. Deane had had her killed.

Wintermute. He imagined a little micro whispering to the wreck of a man named Corto, the words flowing like a river, the flat personality-substitute called Armitage accreting slowly in some darkened ward ... The Deane analog had said it worked with givens, took advantage of existing situations.

But what if Deane, the real Deane, had ordered Linda killed on Wintermute's orders? Case groped in the dark for a cigarette and Molly's lighter. There was no reason to suspect Deane, he told himself, lighting up. No reason.

Wintermute could build a kind of personality into a shell. How subtle a form could manipulation take? He stubbed the Yeheyuan out in a bedside ashtray after his third puff, rolled away from Molly, and tried to sleep.

The dream, the memory, unreeled with the monotony of an unedited simstim tape. He'd spent a month, his fifteenth summer, in a weekly rates hotel, fifth floor, with a girl called Marlene. The elevator hadn't worked in a decade. Roaches boiled across grayish porcelain in the drain-plugged kitchenette when you flicked a lightswitch. He slept with Marlene on a striped mattress with no sheets.

He'd missed the first wasp, when it built its paperfine gray house on the blistered paint of the windowframe, but soon the nest was a fist-sized lump of fiber, insects hurtling out to hunt the alley below like miniature copters buzzing the rotting contents of the dumpsters.

They'd each had a dozen beers, the afternoon a wasp stung Marlene. "Kill the fuckers," she said, her eyes dull with rage and the still heat of the room, "burn 'em." Drunk, Case rummaged in the sour closet for Rollo's dragon. Rollo was Marlene's previous -- and, Case suspected at the time, still occasional -- boyfriend, an enormous Frisco biker with a blond lightning bolt bleached into his dark crewcut. The dragon was a Frisco flamethrower, a thing like a fat anglehead flashlight. Case checked the batteries, shook it to make sure he had enough fuel, and went to the open window. The hive began to buzz.

The air in the Sprawl was dead, immobile. A wasp shot from the nest and circled Case's head. Case pressed the ignition switch, counted three, and pulled the trigger. The fuel, pumped up to l00 psi, sprayed out past the white-hot coil. A five-meter tongue of pale fire, the nest charring, tumbling. Across the alley, someone cheered.

"Shit!" Marlene behind him, swaying. "Stupid! You didn't burn 'em. You just knocked it off. They'll come up here and kill us!" Her voice sawing at his nerves, he imagined her engulfed in flame, her bleached hair sizzling a special green.

In the alley, the dragon in hand, he approached the blackened nest. It had broken open. Singed wasps wrenched and flipped on the asphalt.

He saw the thing the shell of gray paper had concealed.



Horror. The spiral birth factory, stepped terraces of the hatching cells, blind jaws of the unborn moving ceaselessly, the staged progress from egg to larva, near-wasp, wasp. In his mind's eye, a kind of time-lapse photography took place, revealing the thing as the biological equivalent of a machine gun, hideous in its perfection. Alien. He pulled the trigger, forgetting to press the ignition, and fuel hissed over the bulging, writhing life at his feet.

When he did hit the ignition, it exploded with a thump, taking an eyebrow with it. Five floors above him, from the open window, he heard Marlene laughing.

He woke with the impression of light fading, but the room was dark. Afterimages, retinal flares. The sky outside hinted at the start of a recorded dawn. There were no voices now, only the rush of water, far down the face of the Intercontinental.

In the dream, just before he'd drenched the nest with fuel, he'd seen the T-A logo of Tessier-Ashpool neatly embossed into its side, as though the wasps themselves had worked it there.



Molly insisted on coating him with bronzer, saying his Sprawl pallor would attract too much attention.

"Christ," he said, standing naked in front of the mirror, "you think that looks real?" She was using the last of the tube on his left ankle, kneeling beside him.

"Nah, but it looks like you care enough to fake it. There. There isn't enough to do your foot." She stood, tossing the empty tube into a large wicker basket. Nothing in the room looked as though it had been machine-made or produced from synthetics. Expensive, Case knew, but it was a style that had always irritated him. The temperfoam of the huge bed was tinted to resemble sand. There was a lot of pale wood and handwoven fabric.

"What about you," he said, "you gonna dye yourself brown? Don't exactly look like you spend all your time sunbathing."

She wore loose black silks and black espadrilles. "I'm an exotic. I got a big straw hat for this, too. You, you just wanna look like a cheap-ass hood who's up for what he can get, so the instant tan's okay."

Case regarded his pallid foot morosely, then looked at himself in the mirror. "Christ. You mind if I get dressed now?" He went to the bed and began to pull his jeans on. "You sleep okay? You notice any lights?"

"You were dreaming," she said.

They had breakfast on the roof of the hotel, a kind of meadow, studded with striped umbrellas and what seemed to Case an unnatural number of trees. He told her about his attempt to buzz the Berne AI. The whole question of bugging seemed to have become academic. If Armitage were tapping them, he'd be doing it through Wintermute.

"And it was like real?" she asked, her mouth full of cheese croissant. "Like simstim?"

He said it was. "Real as this," he added, looking around. "Maybe more."

The trees were small, gnarled, impossibly old, the result of genetic engineering and chemical manipulation. Case would have been hard pressed to distinguish a pine from an oak, but a street boy's sense of style told him that these were too cute, too entirely and definitively treelike. Between the trees, on gentle and too cleverly irregular slopes of sweet green grass, the bright umbrellas shaded the hotel's guests from the unfaltering radiance of the Lado-Acheson sun. A burst of French from a nearby table caught his attention: the golden children he'd seen gliding above river mist the evening before. Now he saw that their tans were uneven, a stencil effect produced by selective melanin boosting, multiple shades overlapping in rectilinear patterns, outlining and highlighting musculature; the girl's small hard breasts, one boy's wrist resting on the white enamel of the table. They looked to Case like machines built for racing; they deserved decals for their hairdressers, the designers of their white cotton ducks, for the artisans who'd crafted their leather sandals and simple jewelry. Beyond them, at another table, three Japanese wives in Hiroshima sackcloth awaited sarariman husbands, their oval faces covered with artificial bruises; it was, he knew, an extremely conservative style, one he'd seldom seen in Chiba.

"What's that smell?" he asked Molly, wrinkling his nose.

"The grass. Smells that way after they cut it."

Armitage and Riviera arrived as they were finishing their coffee, Armitage in tailored khakis that made him look as though his regimental patches had just been stripped, Riviera in a loose gray seersucker outfit that perversely suggested prison.

"Molly, love," Riviera said, almost before he was settled on his chair, "you'll have to dole me out more of the medicine. I'm out."

"Peter," she said, "and what if I won't?" She smiled without showing her teeth.

"You will," Riviera said, his eyes cutting to Armitage and back.

"Give it to him," Armitage said.

"Pig for it, aren't you?" She took a flat, foil-wrapped packet from an inside pocket and flipped it across the table. Riviera caught it in midair. "He could off himself," she said to Armitage.

"I have an audition this afternoon," Riviera said. "I'll need to be at my best." He cupped the foil packet in his upturned palm and smiled. Small glittering insects swarmed out of it, vanished. He dropped it into the pocket of his seersucker blouse.

"You've got an audition yourself, Case, this afternoon," Armitage said. "On that tug. I want you to get over to the pro shop and get yourself fitted for a vac suit, get checked out on it, and get out to the boat. You've got about three hours."

"How come we get shipped over in a shitcan and you two hire a JAL  taxi?" Case asked, deliberately avoiding the man's eyes.

"Zion suggested we use it. Good cover, when we move. I do have a larger boat, standing by, but the tug is a nice touch."

"How about me?" Molly asked. "I got chores today?"

"I want you to hike up the far end to the axis, work out in zero-g. Tomorrow, maybe, you can hike in the opposite direction." Straylight, Case thought.

"How soon?" Case asked, meeting the pale stare.

"Soon," Armitage said. "Get going, Case."



"Mon, you doin' jus' fine," Maelcum said, helping Case out of the red Sanyo vacuum suit. "Aerol say you doin' jus' fine." Aerol had been waiting at one of the sporting docks at the end of the spindle, near the weightless axis. To reach it, Case had taken an elevator down to the hull and ridden a miniature induction train. As the diameter of the spindle narrowed, gravity decreased; somewhere above him, he'd decided, would be the mountains Molly climbed, the bicycle loop, launching gear for the hang gliders and miniature microlights.

Aerol had ferried him out to Marcus Garvey  in a skeletal scooter frame with a chemical engine.

"Two hour ago," Maelcum said, "I take delivery of Babylon goods for you; nice Japan-boy inna yacht, mos' pretty yacht."

Free of the suit, Case pulled himself gingerly over the Hosaka and fumbled into the straps of the web. "Well," he said, "let's see it."

Maelcum produced a white lump of foam slightly smaller than Case's head, fished a pearl-handled switchblade on a green nylon lanyard out of the hip pocket of his tattered shorts, and carefully slit the plastic. He extracted a rectangular object and passed it to Case. "Thas part some gun, mon?"

"No," Case said, turning it over, "but it's a weapon. It's virus."

"Not on this  boy tug, mon," Maelcum said firmly, reaching for the steel cassette.

"A program. Virus program. Can't get into you, can't even get into your software. I've got to interface it through the deck, before it can work on anything."

"Well, Japan-mon, he says Hosaka here'll tell you every what an' wherefore, you wanna know."

"Okay. Well, you leave me to it, okay?"

Maelcum kicked off and drifted past the pilot console, busying himself with a caulk gun. Case hastily looked away from the waving fronds of transparent caulk. He wasn't sure why, but something about them brought back the nausea of SAS.

"What is this thing?" he asked the Hosaka. "Parcel for me."

"Data transfer from Bockris Systems GmbH, Frankfurt, advises, under coded transmission, that content of shipment is Kuang Grade Mark Eleven penetration program. Bockris further advises that interface with Ono-Sendai Cyberspace 7 is entirely compatible and yields optimal penetration capabilities, particularly with regard to existing military systems ..."

"How about an AI?"

"Existing military systems and artificial intelligences."

"Jesus Christ. What did you call it?"

"Kuang Grade Mark Eleven."

"It's Chinese?"

"Yes."

"Off." Case fastened the virus cassette to the side of the Hosaka with a length of silver tape, remembering Molly's story of her day in Macao. Armitage had crossed the border into Zhongshan. "On," he said, changing his mind. "Question. Who owns Bockris, the people in Frankfurt?"

"Delay for interorbital transmission," said the Hosaka.

"Code it. Standard commercial code."

"Done."

He drummed his hands on the Ono-Sendai.

"Reinhold Scientific A.G., Berne."

"Do it again. Who owns Reinhold?"

It took three more jumps up the ladder before he reached Tessier-Ashpool.

"Dixie," he said, jacking in, "what do you know about Chinese virus programs?"

"Not a whole hell of a lot."

"Ever hear of a grading system like Kuang, Mark Eleven?"

"No."

Case sighed. "Well, I got a user-friendly Chinese icebreaker here, a one shot cassette. Some people in Frankfurt say it'll cut an AI."

"Possible. Sure. If it's military."

"Looks like it. Listen, Dix, and gimme the benefit of your background, okay? Armitage seems to be setting up a run on an AI that belongs to Tessier-Ashpool. The mainframe's in Berne, but it's linked with another one in Rio. The one in Rio is the one that flatlined you, that first time. So it looks like they link via Straylight, the T-A home base, down the end of the spindle, and we're supposed to cut our way in with the Chinese icebreaker. So if Wintermute's backing the whole show, it's paying us to burn it. It's burning itself. And something that calls itself Wintermute is trying to get on my good side, get me to maybe shaft Armitage. What goes?"

"Motive," the construct said. "Real motive problem, with an AI. Not human, see?"

"Well, yeah, obviously."

"Nope. I mean, it's not human. And you can't get a handle on it. Me, I'm not human either, but I respond  like one. See?"

"Wait a sec," Case said. "Are you sentient, or not?"

"Well, it feels  like I am, kid, but I'm really just a bunch of ROM. It's one of them, ah, philosophical questions, I guess ..." The ugly laughter sensation rattled down Case's spine. "But I ain't likely to write you no poem, if you follow me. Your AI, it just might. But it ain't no way human."

"So you figure we can't get on to its motive?"

"It own itself?"

"Swiss citizen, but T-A own the basic software and the mainframe."

"That's a good one," the construct said. "Like, I own your brain and what you know, but your thoughts have Swiss citizenship. Sure. Lotsa luck, AI."

"So it's getting ready to burn itself?" Case began to punch the deck nervously, at random. The matrix blurred, resolved, and he saw the complex of pink spheres representing a Sikkim steel combine.

"Autonomy, that's the bugaboo, where your AI's are concerned. My guess, Case, you're going in there to cut the hardwired shackles that keep this baby from getting any smarter. And I can't see how you'd distinguish, say, between a move the parent company makes, and some move the AI makes on its own, so that's maybe where the confusion comes in." Again the nonlaugh. "See, those things, they can work real hard, buy themselves time to write cookbooks or whatever, but the minute, I mean the nanosecond, that one starts figuring out ways to make itself smarter, Turing'll wipe it. Nobody  trusts those fuckers, you know that. Every AI ever built has an electromagnetic shotgun wired to its forehead."

Case glared at the pink spheres of Sikkim.

"Okay," he said, finally, "I'm slotting this virus. I want you to scan its instruction face and tell me what you think."

The half sense of someone reading over his shoulder was gone for a few seconds, then returned. "Hot shit, Case. It's a slow virus. Take six hours, estimated, to crack a military target."

"Or an AI." He sighed. "Can we run it?"

"Sure," the construct said, "unless you got a morbid fear of dying."

"Sometimes you repeat yourself, man."

"It's my nature."